Silas Eastham – Preston’s first photographer?

A recent post on the Preston History Facebook page featured a pair of daguerreotypes which are thought to be Preston’s oldest surviving photographs. They were probably taken in 1845 by a photographer named Silas Eastham, just six years after the very first daguerreotype image was made in Paris.

I thought readers might be interested in more information about Silas, and found a short biography in a book by Bernard and Pauline Heathcote, A faithful likeness: the first photographic portrait studios in the British Isles 1841 to 1855. Their research suggests he was probably the first photographer to open a studio in Preston.

He is also credited with taking the photograph of the Flag Market that is believed to be the first photographic image of the town. It has been dated as between 1846 and 1855, but the Heathcotes believe Silas was active in Preston for only a short while after his arrival in the town. This gives a date for the photograph of 1845 or very shortly after.

This is what the Heathcotes write:

EASTHAM Silas
Born: Mellor, nr. Blackburn c.1824, the younger brother of John Eastham. Married: Jane Ingham 13 April 1850. A miniature painter whose photographic career commenced in 1845 when, in conjunction with Robert Holt he opened a daguerreotype gallery at Preston. This partnership was of very brief duration and Silas continued working on his own for a short time at both Preston and Blackburn. It is probable that he was soon joined by his brother. At the time of his marriage stated that he was an ‘artist’ living in Blackpool; two years later had a photographic portrait studio in Manchester which continued until 1868. Also an establishment at Southport 1868-83.

The Heathcotes combed the Preston papers for information about Silas and his activities, and discovered the first advert for his services in the Preston Chronicle on 30 August 1845:

Daguerreotype Likenesses
Messrs. Holt and Eastham, from Paris, respectfully announce that they are taking correct likenesses by the above unerring process in five seconds, at very reasonable charges from 9 till 4 each day at Mr. Caton’s, Temperance Hotel, 41 Cannon Street, Preston.

They also discovered an editorial in the same issue, which declared: ‘We have seen some very faithful likenesses taken by the daguerreotype, which is being exhibited in this town by Messrs. Holt and Eastham from Paris.’

By the end of the year, Silas had moved his studio to 11 Avenham Road. By the time of his marriage in 1850, he was established in Blackpool.

The Heathcotes’ book contains a wealth of information on the photographers operating in Preston in the middle of the nineteenth century:
https://bromleyhouse.org/wp-content/uploads/2022/01/A-Faithful-Likeness.pdf
https://bromleyhouse.org/wp-content/uploads/2022/01/A-Faithful-Likeness-Appendix-Part-D.pdf

First Preston photo
This pair of images show John Addison, the brother of Thomas Batty Addison, with his daughter Anne Agnes. The image on the left I presume to be another of Anne.
Father and daughter were possibly photographed just before her marriage to Major John Ffolliott Crofton, which took place shortly after Silas opened his Preston studio. They could be standing outside the family home in Winckley Square.
https://www.theharris.org.uk/collections/photographs/
Preston Market Square - c. 1846
‘Preston Market Place & Obelisk c.1850. This Daguerreotype image is believed to have been taken by Silas Eastham between 1846 and 1853 and as such would be the earliest surviving image of Preston.’: https://www.flickr.com/photos/rpsmithbarney/4107733402


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One thought on “Silas Eastham – Preston’s first photographer?

  1. The photograph of the obelisk in the market place was taken by Silas’s brother, John Eastham by August 1846 when a description appeared in the Preston Chronicle of a photograph of “the north and west sides of the market-place …. It includes the obelisk in the centre of the market, with the fish stones …. and the opening of Friargate.” I have written a piece on the Eastham brothers, John, Silas and Enos, which will be included in the next issue of the RPS’s PhotoHistorian.

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